Arquivo de teatro - CNLL https://cnll.pt/en/portfolio-tag/teatro-en/ Architecture & Design Mon, 08 Feb 2021 15:39:01 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 https://cnll.pt/wp-content/uploads/2020/09/cropped-favicon_logo_cnll-2-32x32.jpg Arquivo de teatro - CNLL https://cnll.pt/en/portfolio-tag/teatro-en/ 32 32 — Sombras https://cnll.pt/en/portfolio-item/sombras/ Tue, 07 Apr 2020 17:24:32 +0000 https://cnll.pt/portfolio-item/sombras/ O conteúdo — Sombras aparece primeiro em CNLL.

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Scenography

— Sombras

“Sombras” is built in a sort of unusual scenic landscape, full of unexpected and contrasting events. It is a multidisciplinary show, decidedly set against the habits  of the “merger” or “world music”. Fado is about a suffering heart and Fandango is about a kind of euphoric ride.     

Ricardo Pais 

Teatro Nacional de São João

Location
Portugal, Brazil, France

Year
2010 — 2011

ON STAGE

My daughter, my daughter, my
daughter! … I am … you  are… lost and
dishonoured… infamous! Oh!
my daughter, my daughter!…

Madalena

 

Hold your peace, D. Madalena!
The mercy of God is infinite. Wait. I doubt,
I do not believe … these are not things to believe
in lightly. Oh! Divine inspiration … You are well aware of thatman, Romeiro, is it not?

Jorge

 

Like myself.

Romeiro

 

If you will see him … though in other
clothes … with fewer years, painted, let’s say,
would you recognise him?

Jorge

 

As if I would see myself in a mirror.

Romeiro

 

Find these pictures and tell me if
any of them he may be.

Jorge

 

That’s the one.

Romeiro

 

My daughter, my daughter, my
daughter! … I am … you are… lost and dishonoured …infamous! Oh!
my daughter, my daughter …

Madalena

 

Romeiro, Romeiro, who are you?

Jorge

 

No one!

Romeiro

 

Almeida Garrett – Frei Luís de Sousa  (adapted)

Title: Shadows. Our sadness is an immense joy. 

Author: Ricardo Pais. Video Videos: Fabio Iaquone, Luca Attilii. Original music and musical direction: Mário Laginha. Choreography: Paulo Ribeiro. Stage Design scenography: Nuno Lacerda Lopes. Costumes Design: Bernardo Monteiro. Lighting Design: Rui Simão. Sound Design: Francisco Leal. Voice and elocution: João Henriques. Musical Consultant (fados): Diogo Clemente. Script and staging: Ricardo Pais. Staging assistance: Manuel Tur.

Interpretation: José Manuel Barreto, Raquel Tavares, fado singers; Emília Silvestre, Pedro Almendra, Pedro Frias, actors; Carla Ribeiro, Francisco Rousseau, Mário Franco, dancers; Mário Laginha (piano). Carlos Piçarra Alves, (clarinet clarinet). Mário Franco (double bass). Miguel Amaral (portuguese guitar). Paulo Faria de Carvalho, Diogo Clemente (guitar). Albano Jerónimo, António Durães, João Reis and Teresa Madruga* (special participation in video’s special appearance).

Production: Teatro Nacional de São João. Coproduction: Vila Flor Cultural Centre, Viriato Theatre, São Luiz Municipal Theatre. Collaboration: OPART.

Tour: Teatro Nacional São João, Porto, 18-28 November 2010. Vila Flor Cultural Centre, Guimarães, 4 December 2010. Viriato Theatre, Viseu, 13-15 January 2011. Municipal Theatre São Luiz, Lisbon, 28-30 January 2011. Teatro Aveirense, Aveiro, February 19, 2011. Teatro Municipal de Portimão, 26 February 2011. Teatro Micaelense, Azores, March 19, 2011. Théâtre de la Ville, Paris, 11-12 April 2011. Brazil (São Paulo/Santos/ Belo Horizonte) June/July 2011.

Technical Information TNSJ: Production coordination: Maria João Teixeira. Production Assistance: Eunice Basto, Maria do Céu Soares, Mónica Rocha. Technical direction: Carlos Miguel Chaves. Stage Direction: Rui Simão. Stage Direction: Pedro Guimarães. Stage Design: Teresa Grácio (Coordination); Josué Maia (Construction). Wardrobe and props: Elisabete Leão (Coordination); Teresa Batista (Assistance); Celeste Marinho (Master dressmaker); Adelaide Marinho, Esperança Sousa, Nazaré Fernandes, Maria Alice Vale, Virgínia Pereira (Seamstresses); Isabel Pereira (Wardrobe props); Dora Pereira, Guilherme Monteiro (Props); Ana Novais (Material research). Luz Light: Filipe Pinheiro (Coordination); José Carlos Cunha, José Rodrigues. Maquinaria Machinery: Filipe Silva (Coordination); Joaquim Marques, Paulo Ferreira. Sound: Francisco Leal (Coordination); Joel Azevedo, Nuno Correia. Video: Fernando Costa. Make-up Make-up: Marla Santos. Photography: João Tuna.

Related Projects

— Gala Dinner / Teatro Thalia

— Welcome Party / LX Factory

— Devastio concept desk

— RTP 100 anos

— Luís de Matos 3D

— Tenebris concept chair

— Carbo concept stool

— Pas de Cinq +1

O conteúdo — Sombras aparece primeiro em CNLL.

]]> — Luís de Matos ao Vivo https://cnll.pt/en/portfolio-item/luisdematos-aovivo/ Tue, 07 Apr 2020 16:01:38 +0000 https://cnll.pt/portfolio-item/luisdematos-aovivo/ O conteúdo — Luís de Matos ao Vivo aparece primeiro em CNLL.

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Scenography

— Luís de Matos ao Vivo

To think of a scenic device to a live performance implies a prior definition of the different actions and events the show has to offer.

The show has a global idea and the scenery is not just the place for the succession of moments or actions; it should thrive with the magic and engage the audience in the illusion that is created … until exhaustion. In this show we wanted many places, various types of illusion, from large scale to small-scale, from levitation to the pure representation; from machines to hand tricks, in continuous, uninterrupted and at high speed… something new that few had attempted. The device had to be plural and able to absorb creative and rapid changes, without noticing,  the viewer does not become distracted, without leaving the fantasy and the engaging and intelligent magic that only Luis de Matos knows how to do.

Magic seems to be easy when we look at the tricks that were recorded. And how good it is, even now, that magic seems to be so easy!

RTP1 – Rádio Televisão Portuguesa
Teatro Académico de Gil Vicente

Location
Coimbra

Year
2001

ON STAGE

 

A magician who completely masters many techniques is like a seamstress with a sewing machine. Both need ideas but, at the same time, they need to create in order to be considered good performers. Creation represents the border which, being crossed, will provide the magna stature of artists. Magic is an art, not a set of devices that challenge the viewer, underestimating their ability to reason. I think the illusionistic show, for many who see it and for some who perform in it, goes through a total misconception phase.  Just as a painter, a musician or any other artist seeking to bring to his audience a particular message or a state of mind, the magician also tries to do it. The latter may, however, achieve that purpose with special powers of the resources he uses because he has to transcend the spirit of the spectator by using those resources”

Luís de Matos I In O Mundo Mágico 

Título Title:  Luís de Matos ao Vivo. Produção Production: Luís de Matos Produções. Data e Local Date and Venue: Teatro Académico Gil Vicente, Coimbra, 2001.

Related Projects

— Onde luz não

— Luís de Matos ao Vivo

— Lacrimae concept stool

— Linha Curva, Linha Turva

— O Grande Teatro do Mundo

— Neglegunt concept desk

— Carbo concept stool

— Impossível

O conteúdo — Luís de Matos ao Vivo aparece primeiro em CNLL.

]]> — Linha Curva, Linha Turva https://cnll.pt/en/portfolio-item/linha-curva-linha-turva/ Tue, 07 Apr 2020 09:15:42 +0000 http://www.cnll.pt/?post_type=portfolio-item&p=6714 O conteúdo — Linha Curva, Linha Turva aparece primeiro em CNLL.

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Scenography

— Linha Curva, Linha Turva

We stole a song’s title from the Três Tristes Tigres last album (and we will probably steal the song itself) to attribute names to a rare spectacle.

Jeff Cohen, the admirable American pianist living in Paris, manages, together with Luís Madureira,  a choice of actors, our employees, in a workshop developed in three periods from which a “recital” for piano and voice comes out. Random songs, music-hall songs or simply  songs – the actors sing, in an apprenticeship of other musical-theatrical adventures that are a secret, for the time being…

Teatro Nacional São João

Location
Porto

Year
2000

Ficha Técnica

Título Title: Linha Curva, Linha Turva (Os atores Cantam!). Direção cénica Staging  direction: Ricardo Pais. Direção Musical Musical Direction: Jeff Cohen. Cenografia Stage Design: Nuno Lacerda Lopes. Apoio à cenografia Stage design support: Teresa Grácio. Figurinos Costumes Design: Nuno Carinhas. Colaboração coreográfica Choreografic Collaboration: Né Barros. Luz Lights: João Paulo Xavier. Som Sound: Francisco Leal.

Interpretação Interpretation: António Durães, Emília Silvestre, Isabel Lopes, João Reis, José Vasques, Lígia Roque, Luís Madureira, Luísa Cruz, Marcello Urgeghe (atores actors);  Jeff Cohen (piano piano); Samuel Cabral (guitarra guitar); Nel Garcia (viola guitar).

Assistente de direcção cénica: Staging direction’s assistant:  João Torres. Direcção de cena Stage direction: Carlos Miguel Chaves. Assistente Assistant: Ricardo Silva. Operação de luz Light operation: Ilda Nóbrega. Operação de som Sound operation: Francisco Leal, José Fernando Almeida, Hugo Sampaio. Maquinistas Machinists: Carlos Biana, António Quaresma, Filipe Silva, Joaquim Marques, Jorge Silva, Lídio Pontes, Paulo Ferreira. Execução de guarda-roupa Wardrobe making: Claúdia Ribeiro (coordenação coordination), Celeste Marinho (mestre-costureira Master seamstress), Fátima Roriz, Virgínia Pereira. Adereços Props: Elisabete Leão (coordenação coordination), Guilherme Monteiro, Dora Pereira (cenografia choreography), Isabel Pereira, Teresa Batista (guarda-roupa wardrobe). Auxiliares de camarins: Dressing aids: Fátima Roriz, Virgínia Pereira.

Produção Production: Teatro Nacional de São João. Data e local de estreia Premiere’s date and venue: 4 de julho de 1999, TNSJ, Porto. Outras apresentações Other presentations: 5 de julho, TNSJ; reposição, integrado no PoNTI’99, 21-22 de dezembro de 1999, Teatro do Campo Alegre, Porto.

Related Projects

— Duas Vozes

— Ricardo Pais – Theatre Director

— Devastio concept desk

— Luís de Matos ao Vivo

— Impossível

— Mortem concept bench

— Minetti

— Neglegunt concept desk

O conteúdo — Linha Curva, Linha Turva aparece primeiro em CNLL.

]]> — O Grande Teatro do Mundo https://cnll.pt/en/portfolio-item/grande-teatro-do-mundo/ Mon, 06 Apr 2020 16:44:40 +0000 http://www.cnll.pt/?post_type=portfolio-item&p=6673 O conteúdo — O Grande Teatro do Mundo aparece primeiro em CNLL.

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Scenography

— O Grande Teatro do Mundo

““O Grande Teatro do Mundo” is the culmination of the baroque dramatic poetry. The uniqueness of this work is due to the fact of embodying, better than any other, the aesthetics and poetics of the Baroque; the scenic quality of the archetype piece is representative of the purest and most refined concept of Baroque art in all its fullness and greatness.

The seventeenth century theatrical overflow “should lead to the conscience of all, the feeling that life is itself a representation, that the world is a theatre” (Orozco), and Calderon the architect of this scenic theatrical era: the most symbolic playwright  of the Baroque .

Teatro Nacional de São João

Location
Porto

Year
1996

ON STAGE

AUTHOR
“Beautiful architectural composition
on the ground,
that, between shadow and smoky
bluish reflections steals the stars,
when, with beautiful flowers,
harmony disputes the stars
with radiance
human skies of fleeting flowers.

Space of elements
with hills, rays, pelagos and winds;
winds, where bass
strikes you under a lot of birds;
with pelagos and seas where, sometimes,
fish squads fly in you;
with lightning that blinds me
the fire  alights  you with ease;
with hills where,  as if being complete owners
men and beasts walk in you;
in continuous war
monster of fire and air, water and land.

You who are always different,
are the happy factory  of this universe,
the first prodigy without second,
and to define you in a word, the World
you are born like the Phoenix and, in its fame,
spring from your own ashes … “

Título Title: O Grande Teatro do Mundo. Autor Author:  Calderon de la Barca.

Tradução Translation: José Bento. Encenação Staging: Nuno Carinhas. Cenografia Stage design: Nuno Lacerda Lopes. Figurinos Costumes Design: Vin Burnham. Desenho de luz Lighting Design: Paulo Graça. Sonoplastia Sound Design: Francisco Leal. Realização Production: Rui Simões. 

Elenco Cast: Alberto Magassela, Carlos Rêgo e Sousa, Emília Silvestre, João Reis, Jorge Vasques, Lígia Roque, Marcantonio Del Carlo, Mário Costa, Micaela Cardoso, Paulo Castro, José Neves (voz voice).

Related Projects

— Carbo concept stool

— SEC – Secretaria de Estado da Cultura Expo Maia

— Linha Curva, Linha Turva

— RTP 100 anos

— Mortem concept bench

— Lacrimae concept stool

— Flamma concept chair

— Gala Dinner / Teatro Thalia

O conteúdo — O Grande Teatro do Mundo aparece primeiro em CNLL.

]]> — Mandrágora https://cnll.pt/en/portfolio-item/mandragora/ Mon, 06 Apr 2020 11:36:08 +0000 http://www.cnll.pt/?post_type=portfolio-item&p=6631 O conteúdo — Mandrágora aparece primeiro em CNLL.

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Scenography

— Mandrágora

“The Mandrágora … implicitly suggests an idea of life as a drama of passion. And the passions – whether they are fear or greed, anger, pity or any other – are inextricably linked to something that can be said that sustains itself between episodes of pure calculation and others of total improvisation, inter-subjective dynamics of the subjects involved. And, in the latter, the sense of what is said is always incomplete, it suspends itself in the way it is accepted or ignored, amplified or counteracted, opening up to a constant and subtle transmutation of expectations, affects, goals. As Aristotle said, that’s what the passions are all about – “that which, modifying ourselves, produces a difference in our judgments, and is followed by pity or pleasure.”  

Manuel Maria Carrilho

Escola da Noite

Location
Coimbra

Year
1993

ON STAGE

 

(…)
A cena representa
A vossa Florença,
mas da próxima vez poderá ser
Roma ou Pisa
coisa de rir até morrer
(…)

A young man, Calímaco Guadagni
that has just arrived from Paris
(…)

A sensible and beautiful young woman
(…)

The story is called Mandragora
(…)

No man is the author of much fame,
but who does not laugh a little
the Author invites now for a drink
A stricken lover,
a not so astute doctor,
a friar that lives a dubious life,
an evil parasite
they will be your hobby, for the time being.

Título Title: Amor de Perdição: Drama Musical em Três Atos para Cantores, Atores e Músicos.

Música Music: António Emiliano. Libreto Libretto: António S. Ribeiro, baseado no romance homónimo de Camilo Castelo Branco (1862). Instrumentação dos excertos da ópera de João Arroio e direção musical Instrumentation of João Arroio’s opera excerpts and musical direction: Bruno Pizzamiglio. Conceção cénica e direção Scenic design and direction: Ricardo Pais. Cenografia Stage Design: Nuno Lacerda Lopes. Figurinos Costumes Design: Vera Castro. Coreografia Choreography: Olga Roriz. Desenho de luz Lighting Design: Orlando Worm. Desenho de som Sound Design: Jorge Gonçalves.

Interpretação Interpretation: Luís Madureira (Corifeu), Ana Ferraz (Teresa), Helena Afonso (Mariana), Miguelangelo Cavalcanti (Simão), cantores singers; Inês de Medeiros (Teresa), Maria Amélia Matta (Mariana), José Neves (Simão), Carlos Daniel (João da Cruz), Sílvia Brito (1ª Senhora de Sociedade), Lúcia Maria (2ª Senhora de Sociedade), Carlos Pimenta (Meirinho-Geral, filho do recoveiro de Garção e Capitão), Paula Bicho (Ritinha), Lúcia Sigalho (Senhora de Azul), atores actors; Isabel Alcobia, Luciana Dutra, Lúcia Lemos, Alexandra Vieira, Teresa Cardoso Menezes, Eduarda Carvalho, coralistas choristers; Luís Carolino, Carla Nisa, Alexandre Ribeiro, bailarinos dancers; Paulo Filipe Ferreira, António Jorge Dias, Otelo Lapa, António Manuel, Vítor Rocha, figurantes Background actors.

Orquestra Orchestra: Leonid Bycov, Philip Yeels, Natalia Ivanovna, Lieselete Pflanz, Margareta Sandros, Rui Fernandes (1os violinos 1st violins); Narine Dellalian, Inna Reshetnikova, Sónia Carvalho, Anabela Gonçalves (2os violinos 2nd violins); Teresa Beatriz, Cecília Neves, Zulmira Van Holstein, Teresa Fernandes (violas guitars); João Neves, Armando Neves, Rogério Peixinho (violoncelos cellos); Panta Nunes, Júlio Hortelão (contrabaixos contrabass); Lopes da Cruz, António Serafim (oboés oboes); Luís Correia (fagote bassoon); João Galvão (timbaleiro timpanist);  Armando Vidal (maestro assistente assistant conductor); Fernando Fontes (maestro repetidor rehearsal accompanist).

Apoio técnico de elocução Elocution technical support: Luís Madureira. Apoio técnico de movimento Motion technical support:  Vicente Trindade. Assistentes de encenação Staging  Assistants: Isabel Worm, Lúcia Sigalho. Assistente de coreografia Choreography assistant: Luís Carolino. Direção de cena Stage direction:  Otelo Lapa. Assistente de luzes Lighting assistant: Teresa Ponte. Assistente de som Sound assistant: André Macedo. Secretário musical Musical assistant: Adolfo Chaves. Caracterização e cabeleiras Theatrical make-up and wigs: Luís de Matos. Execução de cenários, figurinos e adereços Sets, costumes and props’ construction: ateliers dos Teatros Nacionais de São Carlos e D. Maria II. Colaboração (jogo do pau) Collaboration  (game of the stick): Nuno Russo. Grafismo e impressão musical Graphics and printing music: Musicoteca, Edições Musicais. Coordenador de produção (TNSC) Production coordinator (TNSC): João Pereira Bastos. Coordenador de produção (TNDMII) Production coordinator (TNDMII): Salvador Santos. Secretariado e assistência à produção Secretariat and production assistance: Alda Giesta, Otelo Lapa, Manuela Sá Pereira, Cassiano Vieira. Coordenador de imprensa Press coordinator: Joaquim Vasconcelos.

Produção Production: Teatro Nacional de São Carlos e Teatro D. Maria II, para a Europália. Data e local de estreia Premiere’s date and venue: 6 de novembro de 1991, Teatro Nacional de Carlos, Lisboa. Outras apresentações Other presentations: 8, 10 e 11 de novembro, Teatro Nacional de S. Carlos; 22 e 23 de novembro, Théâtre La Monnaie, Bruxelas.

Related Projects

— Sombras

— Porto 2001

— Ricardo Pais – Theatre Director

— Carbo concept stool

— O Boticário

— Lacrimae concept stool

— Ignis concept table

— Onde luz não

O conteúdo — Mandrágora aparece primeiro em CNLL.

]]> — Minetti https://cnll.pt/en/portfolio-item/minetti/ Thu, 02 Apr 2020 09:51:11 +0000 http://www.cnll.pt/?post_type=portfolio-item&p=6574 O conteúdo — Minetti aparece primeiro em CNLL.

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Scenography

— Minetti

“Here I am. Me, an actor who – at least once in a lifetime – is not acting what a playwright imagined, in the way a director decided. I’m going to act myself. “

Thomas Bernhard I Minetti

Teatro Nacional D. Maria II

Location
Lisboa

Year
1991

ON STAGE

 

The Hotel lobby.

 

To the left, an old English elevator.

To the right, the reception, the receptionist 

perusing old hotel’s record books. 

In the background, alady (in red) 

sat on a sofa, smoking “Virginia” 

and drinking.

An employee comes from the left with

 a huge old suitcase, leaving it in front 

of the reception

(…) The employee accepts the coin.

Minetti looks at the ceiling and at all the 

walls and to the four edges of the lobby

How it’s changed 

how this  has changed with time

(…)

Completely different

Everything is changing

(…)

Back to staring at the ceiling

Hating progress, hating progress

For you

Don’t you think we should hate 

the progress of a given time?

(…)

Título Title: Minetti: Retrato do Artista Quando Velho (Minetti, 1976). 

Autor Author: Thomas Bernhard. Tradução Translation: João Barrento. Encenação Staging: Ricardo Pais. Cenário Stage Design: Nuno Lacerda Lopes. Figurinos Costumes Design: Vera Castro. Máscaras Masks:  Vera Castro. Desenho de luz Lighting Design: Paulo Graça.

Interpretação Interpretation: Ruy de Carvalho (Minetti), Lurdes Norberto / Catarina Avelar / (Uma Senhora), Vítor Ribeiro (O Rececionista), João de Carvalho (O Grumete/O “Barman”), Lúcia Maria (Uma Rapariga), José Simão, Sílvia Brito, Diogo Varela, Paula Bicho, Artur Mendes da Silva, Rui Fernandes.

Assistente de encenação Staging  Assistant: Lúcia Maria. Sonoplastia Sound design Rui Ferreira. Ponto/anotadora Prompter/annotator: Leonor de Oliveira. Elocução e técnica vocal Elocution and vocal technique: Luís Madureira. Consultor de acústica Acoustic consultant: Carlos Fafaiol. Contrarregra Deputy Stage Manager:  Manuel Guich. Assistente de contrarregra Assistant Stage Manager: Carlos Miguel Chaves. Chefe de montagem Assembly chief: José Palma. Aderecista Props:  Ildeberto Gama. Mestra de guarda-roupa Wardrobe master:  Emília Lima. Efeitos de som (pesquisa) Sound effects (research): Leonel Ferreira. Operador de luz Light operator: José Carlos Nascimento. Operador de som Sound operator: Rui Ferreira. Cenário, guarda-roupa, adereços e máscaras Stage design, wardrobe, props and masks: Oficinas do Teatro Nacional. Fotografia Fotografia: Daniel Blaufuks. Direção gráfica Graphic Direction: José Brandão.

Produção Production: Teatro Nacional D. Maria II. Data e local de antestreia Premiere’s venue  and date: 13 de setembro de 1990, Teatro Nacional D. Maria II, no âmbito do Congresso da Associação Internacional de Críticos de Teatro; estreia a 19 de setembro de 1990.

Related Projects

— Flamma concept chair

— Ignis concept table

— Onde luz não

— Linha Curva, Linha Turva

— Conference / Hotel LX

— Lacrimae concept stool

— Porto 2001

— Duas Vozes

O conteúdo — Minetti aparece primeiro em CNLL.

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